The making of a Golden reliquary in the art of Catherine O’Donnell
Catherine O’Donnell, Gold leafed house number 5, 2022, , from the Golden House series, stereolithographic model and gold leaf, 14 …
Catherine O’Donnell, Gold leafed house number 5, 2022, , from the Golden House series, stereolithographic model and gold leaf, 14 …
Kate Dorrough, Monumental Water Rites, 2023, acrylic on linen, 168 x 214 cm Kate Dorrough’s body of work is an …
My patrilineal grandmother was a Gordie, born in 1903 in Gateshead on Tyne near Newcastle in the UK. She came …
I met a girl in January 2023, I thought she told me her name was Paris. I met her at …
At Kamloops Art Gallery, British Columbia, Canada, December 2022 Alicia Henry’s moving exhibition, Witnessing, inspired in part by Henry’s Ghanian …
Joan Retallack’s word poethics, which is a combination of the word poetry and ethics, suggests that some ideas can most …
Jo Bertini, Breath of the Last Wild River, 2022, iridescent pigments and oil on French polyester canvas, courtesy of the …
David Griggs is a thoughtful, softly spoken man whose words arrive with padded edges allowing us to bump into them …
“Why are you hiding your face?” Asks 2022 Archibald prize winning artist, Blak Douglas, referring to Giddy up, Kim Leutwyler’s …
A personal reflection on Juliana Góngora Rojas’ artist talk for her work, Arrulos, exhibited in rivus , The 23rd Sydney Biennale. –